chapter 04

The shots

The gray-card method's shot list, and how the card goes wrong.

18% × 2FLAT — NO TILT no shadow on the cardHOLD BY THE EDGE keep fingers off the face PLATE VIII  · THE CARD 08 / 11

This is the gray-card method's shot list — headshots ×3 (chest-up, square, neutral, eyes on lens) · gray card at chin ×2 · eye close-up (6–8 in, iris tack-sharp) · inner wrist + card on the sill. Paper/raw/quick sessions have their own, shorter lists, shown live during capture — none of them ask for a card.

Two optional shots worth taking: hair roots (crown close-up) and a side profile. For the profile, turn 45–90° to the side, hair off the face. It captures the angles a straight-on photo can't see (facial convexity, nasofrontal, nasolabial, nose projection). Skip them and everything else still works.

Card handling

MistakeWhat it looks likeFix
Card tilted toward the lighta sheen or bright gradient across the cardtilt a few degrees until the surface looks evenly matte
Card tilted awaycard darker than expected, muddyflat toward the lens. It should look like one even gray
Card held out toward the windowcard looks clean but the skin correction comes out wrongthe card must sit in the SAME light as your face: at the chin, in the face plane
Fingers over the gray patch / head shadowing itpartial darkeninggrip by the edge, check nothing shades it
The whole diagnosis white-balances off this one card frame. Ten extra seconds checking it is worth more than any other ten seconds in the session.

Facial hair (house guidance)

Skin gets sampled from the forehead, upper cheeks, and jaw above the beard line. Never through stubble, which reads gray-blue and cools the sample. A full beard is treated like hair: trace it as hair if it's a defining feature, exclude it from skin boxes either way. Keep the same shave state across sessions.